Along Came Benny: A Qualitative Musical Analysis of Select Benny Golson Compositions

Abstract

Composer, Arranger, and saxophonist Benny Golson stands as one of the main figures of the post-bop era. Although he was a masterful saxophonist and improvisor, it could be argued that the broad recognition of his importance lies more within his compositions. This thesis gives recognition to Golson through a qualitative analysis of four of his compositions that have become standard jazz repertoire: “Along Came Betty,” “Stablemates,” “Whisper Not,” and “I Remember Clifford.” Each has characteristics that are Golson trademarks, such as unconventional forms, unusual harmonies and key area relationships, intricate yet singable melodies, and use of half-diminished harmonies. The musical analysis uses a series of tools looking at harmony, melody, and form to uncover unique aspects of Golson’s sound. These musical analyses will be supplemented with qualitative data collected from interviews with five world-renowned professional jazz musicians who have played Golson’s music throughout their career, in some cases as a member of Golson’s own band. This takes the rare step of combining musical analysis with the documented views of major musicians who have lived this repertoire with Golson himself. Existing literature will be discussed, and a brief biological section will outline Golson’s career accomplishments and achievements.